John JENKINS. Complete Four-Part Consort Music — Fretwork
[17.4.2018]
https://www.hyperion-records.co.uk/dc.asp?dc=D_SIGCD528
http://www.medieval.org/emfaq/cds/sgn528.htm
medieval.org Remarks
Todd M. McComb, 15 March 2018
http://www.medieval.org/emfaq/cds/remarks.html
Jenkins' four-part consort music (mostly fantasias) continues
to attract interest, most recently with a new
complete recording from Fretwork. There's no discussion of how
they decided what did & didn't belong in this "complete"
collection, just as there is no discussion of repertory accompanying
Spirit of Gambo's second volume —
which includes material not on this set, but also fills some obvious
gaps from their first volume. (It also
includes some tracks involving organ, so that seems different
enough.)
I guess I hadn't been following some of Fretwork's recent
albums, particularly as they continue to venture outside of
"consort music" proper, but I do note that the personnel
is almost entirely different from their days as pioneers: Richard
Boothby remains, and so apparently this is his ensemble now (and
maybe it always was?). In any case, it's worthwhile to be able to
hear a different interpretation of this repertory (at least the
fourth that's at least partially "complete"), and it's
interesting that the four-part music seems to attract the most
attention. Presumably this is because of its similarity (in forces)
to the coming (and eventually dominant) string quartet oeuvre, but
do note that Jenkins' fantasias are generally for treble, two tenors
& bass, rather than doubling the top end.
In any case, the
Fretwork set is enjoyable, even elegant, but I'd call it more
rhetorical than Spirit of Gambo, and less colorful. (This might
be because the latter use larger instruments with less string
tension, but then, Fretwork doesn't state the nature of their
instruments in this regard.) There's almost an austere mood in
comparison with the richer sound of the latter. The differences
are modest, however, and the Fretwork set is perfectly recommendable
as an illustration of some of the central music of this general
repertory. That so many English consort performances come off in
such satisfying manner these days is certainly a welcome development.
[17.4.2018]